AESTHETIC TRANSFORMATION OF BALINESE LONTAR PRASI: FROM EPIC NARRATIVE TO CONTEMPORARY REPRESENTATION

Abstract

This study investigates the types of LontarPrasi and examines their transformation in the contemporary era. The research was conducted in the Sidemen Subdistrict of Karangasem, specifically in Sidemen Village and Talibeng Village, where a community of LontarPrasi craftsmen continues to produce this traditional art form. LontarPrasi refers to illustrated depictions, often of facial expressions or narrative scenes, engraved on lontar (palm) leaves. Historically, these works portrayed wayang stories such as the Mahabharata, Ramayana, Sutasoma, and Tantri epics. In its development, however, thematic shifts toward contemporary life and modern visual interpretations have emerged, reflecting the artisans’ response to global market influences and the need for creative innovation to sustain cultural relevance.Employing descriptive qualitative and interpretive methods, data were collected through observation, interviews, and documentation. The study draws on symbolic theory and aesthetic theory as its analytical framework. The findings outline the LontarPrasi production process, which spans approximately four months from palm leaf selection to completion. Preparation stages include drying, soaking, boiling, and clamping (nepes), with specialized tools such as the rupak (a traditional iron stylus) and paser (a hole-making implement). Black pigment is produced from roasted candlenuts. The results indicate that LontarPrasi has undergone significant transformation, not only in narrative content but also in its function as a cultural commodity. Once bound to traditional epics, it now encompasses flexible, market-oriented themes designed to appeal to both domestic and international audiences. This evolution illustrates the dynamic interplay between tradition and modernity in sustaining intangible cultural heritage within the context of globalization.