ABUSING FOR LAUGHS: SELF-DEPRECATION AND PROFANITY IN CONTEMPORARY INDIAN STAND-UP COMEDY

Abstract

The landscape of Indian stand-up comedy has evolved considerably, functioning as a dynamic platform for cultural representation and social critique. Comedians increasingly employ self-deprecating humour and profanity as tools to engage audiences and challenge societal norms. This alteration reflects broader transformations within India's socio-cultural landscape, as emerging communication methods gain significance, and traditional boundaries are increasingly challenged.

Comedians who employ self-deprecating humour often present themselves as relatable individuals, facilitating a connection with the viewers. Artists establish an environment that embraces and promotes vulnerability, highlighting their own imperfections and unique traits. This approach is particularly noteworthy in contexts where hierarchical systems may influence social interactions. Traditionally viewed with disdain, profanity has evolved into a tool for questioning established norms and enabling comedians to audaciously and irreverently address sensitive topics.
This paper aims to analyse the integration of profanity and self-deprecation within the context of contemporary Indian stand-up comedy. The objective is to examine the relationships between these elements as mechanisms for audience engagement, cultural critique, and tools for negotiating identity.