THE POSTMODERN PAKISTANI CANVAS: MALIK’S MIDNIGHT DOORWAYS AND LITERARY SUBVERSION

Povzetek

This study delves into Usman T. Malik’s Midnight Doorways: Fables from Pakistan, focusing on the postmodernist themes and techniques that permeates his narrative. It underscores the transformative capacity of literature in reshaping cultural frameworks within the Pakistani context. By examining Malik’s work, this study illuminates how he skillfully integrates fragmented narrative structures and meta-narrative techniques emblematic of postmodernism to challenge conventional literary forms. This study employs a framework centered on postmodernism to examine the ways in which this approach challenges existing conventions and transcends conventional boundaries within the domain of literature. Malik’s narrative creativity not only enhances modern literature, but also offers a novel perspective on the cultural dynamics and societal viewpoints. Through textual analysis, this research examines the role of Malik’s literary work in exploring the intricate dynamics of identity, memory, and power in the Pakistani setting by focusing on narrative strategies and thematic concerns.  Furthermore, the study emphasizes the socio-cultural implications of Malik's narrative decisions, illustratiing the importance of storytelling in shaping society conversations and challenging dominant narratives. This study aims to enhance the comprehension of the complex interplay between storytelling, cultural representation, and societal discourse within the realm of modern literature.