Cultural Origins and Aesthetic Connotations of Natural Imagery in Romantic Music:A Case Study of Liszt’s Première Année:Suisse

Authors

  • Xiaohan Yu Graduate student majoring in Music and Dance at the School of Music, Liaoning Normal University, Dalian, China

DOI:

https://doi.org/10.52152/800110

Keywords:

Romanticism; natural imagery; music aesthetics; Franz Liszt; Première Année: Suisse

Abstract

Romantic music played a crucial role in the evolution of Western musical arts, bridging the classical traditions with modern expressions. Franz Liszt, in an era that emphasized individual emotion and intellect, developed his "emotive music aesthetics," seamlessly integrating natural imagery with artistic expression through instrumental music. Through the use of program music and poetic atmospheres, Liszt invites listeners to engage in imaginative and creative interpretations, transforming music into a profound medium for emotional articulation. This study examines the natural imagery in Liszt's Première Année: Suisse from various analytical perspectives, including the composer's personal emotions and creative philosophy, historical and cultural contexts, and the musical aesthetic significance. Additionally, the study explores the lasting influence of this work on subsequent musical compositions, aesthetic development, and its contemporary artistic value.

Published

2025-08-01

Issue

Section

Article (Special Issue)

How to Cite

Cultural Origins and Aesthetic Connotations of Natural Imagery in Romantic Music:A Case Study of Liszt’s Première Année:Suisse. (2025). Lex Localis - Journal of Local Self-Government, 23(6). https://doi.org/10.52152/800110